alchimia_nova_-_production
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alchimia_nova_-_production [2022/12/23 11:38] – [To Do met Jonathan & Emma] ami | alchimia_nova_-_production [2023/03/21 19:42] (current) – [Artist Book] ami | ||
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- | =====ToDo for Mulhouse===== | + | =====ToDo for Exhibition===== |
1. collect & decide: aquaria (home + Leda + Biotopia + Kunsthalle) | 1. collect & decide: aquaria (home + Leda + Biotopia + Kunsthalle) | ||
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3. glazen afdekplaten aquaria | 3. glazen afdekplaten aquaria | ||
4. Recyclart: metal holder for wool and small metal pieces for latex works | 4. Recyclart: metal holder for wool and small metal pieces for latex works | ||
+ | 5. index of all works + make titles | ||
=====winogradski cultures===== | =====winogradski cultures===== | ||
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=====wol verven met plantpigmenten===== | =====wol verven met plantpigmenten===== | ||
{{gallery>: | {{gallery>: | ||
+ | |||
+ | |||
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\\ | \\ | ||
+ | =====fermentation in the aquariums===== | ||
+ | 1. fermentation dans les aquariums: | ||
+ | - 500 gr de feuilles de thé noir en vrac pour la fermentation | ||
+ | - 4 kg de sucre blanc cristallisé (le moins cher) | ||
+ | - 4 litres de vinaigre blanc (le moins cher) | ||
+ | - chauffe-eau électrique | ||
+ | - 2 seaux en plastique de 10 l | ||
+ | - longue cuillère en bois | ||
+ | - tamis ménager en plastique, diamètre ± 25cm | ||
+ | - torchon de cuisine | ||
+ | |||
+ | 2. 3 x lattes en métal de longueur 165cm, largeur 20mm, épaisseur 2mm | ||
+ | => une pour fixer au mur D, pour accrocher la grande photo ‘Exoskeleton’ avec des aiments. | ||
+ | Moi j’apporterais les aimants. | ||
+ | => deux pour allourdir en bas les 2 tapisseries | ||
+ | |||
+ | 3. serait-il possible d’avoir une machine à coudre pendant le montage? | ||
+ | Est-ce que on peut emprunter à quelqu’un une machine? | ||
+ | \\ | ||
+ | |||
+ | =====recept fermentatie===== | ||
+ | kombucha recept 3 liter | ||
+ | - 24 gr losse zwarte of groene thee | ||
+ | - 300 gr witte suiker | ||
+ | - 3 l water (met weinig mineralen) | ||
+ | - 300 ml kombucha van vorige bereiding | ||
+ | - https:// | ||
+ | |||
+ | \\ | ||
=====garens===== | =====garens===== | ||
{{gallery>: | {{gallery>: | ||
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maandag 19/12/22: halve dag textielmuseum | maandag 19/12/22: halve dag textielmuseum | ||
dinsdag 20/12/22: dikke halve dag textielmuseum | dinsdag 20/12/22: dikke halve dag textielmuseum | ||
- | woensdag ?? 09/01/2023: voorbereidingen | + | textielmuseum Gent: donderdag 12/01/23 |
- | textielmuseum Gent: 23/01/2023 | + | textielmuseum |
+ | textielmuseum Gent: 23/01/2023/half | ||
textielmuseum Gent: 24/01/2023 | textielmuseum Gent: 24/01/2023 | ||
+ | fluffy bacteria kussen Brussel: 25/1/2023 | ||
+ | textielmuseum Gent: donderdag 9 februari 2023 | ||
+ | textielmuseum Gent: vrijdag 10 februari 2023 | ||
\\ | \\ | ||
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{{gallery>: | {{gallery>: | ||
{{gallery>: | {{gallery>: | ||
+ | |||
+ | [Écrire l'art] Auteure associée en 2023, Véronique Vassiliou est invitée à s’immerger dans l’univers des trois expositions annuelles et composer librement autour des œuvres selon son langage spécifique. | ||
+ | Cette semaine, Véronique Vassiliou s'est inspirée de l' | ||
+ | Résidence réalisée en partenariat avec l' | ||
+ | |||
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+ | =====Art Critique===== | ||
+ | vous trouverez ci-joint le lien qui mène au drive sur lequel nous avons rédigé toutes les questions pour l’interview. Compte tenu de votre emploi du temps chargé et des délais à respecter, nous avons convenus de vous envoyer la liste complète. Vous pouvez inscrire vos réponses directement sur le document : | ||
+ | [[https:// | ||
+ | |||
+ | //Anne Marie and Pierre both work with non-human living beings, the first as an artist and the latter as a scientist. It is from this meeting point that a partnership with Pierre' | ||
+ | Collaboration between artists and scientists can be defined as a partnership or working relationship in which artists and scientists come together to combine their skills, knowledge, and perspectives in order to achieve a common goal. This could involve the artist using scientific concepts, methods, or data as a source of inspiration for their artistic work, or the scientist incorporating artistic techniques or approaches into their research. The collaboration may take many forms, including joint projects, exhibitions, | ||
+ | |||
+ | //What has working together brought you mutually and individually?// | ||
+ | In general, collaboration between artists and scientists can bring a range of benefits to both parties. On a mutual level, such collaborations can lead to new insights, perspectives, | ||
+ | On an individual level, collaboration can provide opportunities for personal and professional growth, as well as the chance to learn new skills and techniques. It can also be a rewarding experience in terms of creativity, as the combination of artistic and scientific approaches can lead to innovative and unique outcomes. | ||
+ | During our collaboration, | ||
+ | |||
+ | //The title Alchimia Nova, carries with it a whole imaginary around the transformation of materials. This is visible through the processes that are revealed in the exhibition. By designating it as new (nova), what links do you establish between alchemy and your artistic practice?// | ||
+ | The title Alchimia Nova, carries with it a whole imaginary around the transformation of materials. This is visible through the processes that are revealed in the exhibition. By designating it as new (nova), what links do you establish between alchemy and your artistic practice? | ||
+ | The term ‘alchemy’ refers to a practice that was popular in medieval times, in which practitioners attempted to transform base metals into gold. The pursuit of knowledge and the search for spiritual enlightenment were both very important, and their practices involved both laboratory work and philosophical elements.With the use of the term ‘alchimia nova’ as title of the exhibition I suggest that my work is drawing on the historical and symbolic associations of alchemy as a way to reference the idea of transformation and the pursuit of knowledge. But ‘alchimia nova’ indicates also that the exhibition represents a contemporary interpretation of alchemy, rather than a literal or historical re-creation of the practice. The term ‘nova’ is a reference to the exhibition' | ||
+ | |||
+ | //Several pieces were created and painted based on plant or soil samples from Alsace. The exhibition is thus anchored in the geographical space that surrounds it. What would the chromatic palette of this area look like?// | ||
+ | That is what we will discover in the exhibition. The representation of the palette will always be a snapshot anyway, because the pigments in the plants depend on many elements, such as weather conditions, the type of soil in which the plants grow, the moments when the plants are collected. | ||
+ | What I personally find interesting is to artistically show how all life in an ecosystem is intertwined, | ||
+ | ' | ||
+ | These different lines: the biological side and the ethnological, | ||
+ | |||
+ | //During one of your collections, | ||
+ | Of course it is a work in itself! Nature is the most complex work of art there is. Lichens are a kind of composite organisms consisting of a fungus and an algae or cyanobacteria living in symbiosis. | ||
+ | In presenting this " | ||
+ | \\ | ||
=====Workshop critical writing===== | =====Workshop critical writing===== | ||
With the students of the mastes Critique et Essais | With the students of the mastes Critique et Essais |
alchimia_nova_-_production.1671795507.txt.gz · Last modified: 2022/12/23 11:38 by ami